Jewellery & Metalsmithing

Jessica Airey, "Hoodie", silver, Bachelor of Fine Arts, Year 4, 2006. Photo: Jessica Airey.

Genie Lee, "Breakfast Jewellery Fish", Bachelor of Fine Arts, Year 4, 2006. Photo: Genie Lee.

Genie Lee, "Breakfast Jewellery Egg", Bachelor of Fine Arts, Year 4, 2006. Photo: Ryan.

Ellen Ross, "Silk and Felt Necklaces", Bachelor of Fine Arts, Year 4, 2008. Photo: Kate Muir

Claire Rewa, "Necklace 2", ready made objects, paint, thread, heartshrink, Bachelor of Fine Arts, Year 4, 2007. Photo Claire Rewa.

Claire Rewa, "Necklace 1", ready made objects, paint, Bachelor of Fine Arts, Year 4, 2007. Photo Claire Rewa.

Claire Rewa, "Bracelet", ready made object, thread, Bachelor of Fine Arts, Year 4, 2007. Photo Claire Rewa.

Anne-Mieke Ytsma, "Brooch", silver, paint, Bachelor of Fine Arts, Year 4, 2006.

About Jewellery and Metalsmithing at the School of Art

Metalsmithing acknowledges the making of utilitarian objects traditionally allied to jewellery making. The scope of such objects may encompass disciplines of sculpture, design and craft. The title Metalsmithing is used for its generic object reference rather than an exclusive material restriction. Any material may be explored for its appropriateness to a concept, function, aesthetic, process or identity. The human body is the fundamental reference for jewellery. Works for the body explore a contemporary language of adornment. In this role jewellery may function as a social or cultural identifier. Jewellery may be expressive and intimate or aggressively provocative. The material palette for jewellery is unlimited.

Staff

Academic Leader/Section Co-ordinator :

Andrew Last,  MA(FA)

 

Lecturers:

Johanna Zellmer, MA(VA)

Technician:

Blair Allen, DCD

School of Art